Friday, October 31, 2014

The Ninth Gate (1999): Roman Polanski, Johnny Depp, the Devil and Rare Antiquarian Books


     Co-written, produced and directed by Roman Polanski, based on "The Club Dumas" by Arturo Perez-Reverte, The Ninth Gate (1999) delves into dark territory. The story concerns the search for a rare antiquarian book that will summon the Devil. Eeriness, mystery and tense thrills permeate this well-crafted and entertaining film. Johnny Depp is amazing as the adventurous rare book dealer. Lena Olin and Emmanuelle Seigner are lovely and devilish in their roles. The rest of the cast does a fine job as well, including Frank Langella and James Russo. 



Johnny Depp: The Ninth Gate

Johnny Depp: The Ninth Gate

: The Ninth Gate

Lena Olin: The Ninth Gate

Lena Olin: The Ninth Gate


Johnny Depp: The Ninth Gate

: The Ninth Gate

Johnny Depp: The Ninth Gate

Johnny Depp: The Ninth Gate

Johnny Depp: The Ninth Gate

Emmanuelle Seigner: The Ninth Gate

Emmanuelle Seigner: The Ninth Gate

Emmanuelle Seigner: The Ninth Gate

"The Ninth Gate"- movie trailer

Thursday, October 30, 2014

“La pastorale” by Henri Matisse: Stolen on May 20, 2010

Henri Matisse. La pastorale. Stolen, 2010. by Travis Simpkins


La pastorale” by Henri Matisse: Stolen on May 20, 2010
by Travis Simpkins

The Painting:

     Bold use of high-keyed color and undisguised brushwork take precedence over any representational fidelities, making Henri Matisse's La pastorale a prime example of Fauvism. With vibrant colors, applied directly from the tube, Matisse depicts nude figures reclining in the foreground of a pulsing landscape. The picture was painted in 1905, at the height of the short-lived artistic movement, which ran between 1904 and 1908. The loose group of Les Fauves or “the wild beasts” had three exhibitions together, displaying their resolute visual departure from traditional practices.

The Theft:

     On May 20, 2010, a lone thief pulled off one of the biggest art thefts in history. Five works, valued at upwards of €100m, were stolen from the Musée d'Art Moderne in Paris. The filched paintings were well-known works by top-tier artists: Picasso, Modigliani, Matisse, Leger and Braque.
     Lax security and careless blunders were largely to blame for the success of the heist. It was discovered that the paintings were gone around 7:00 a.m. The three guards on duty that night were dumbfounded, telling investigators that they “saw nothing.” A closer look at the museum's security system and the events of that shift painted an unsettling picture. Inspection of the security alarms revealed that the motion detectors that covered the area in which the theft took place had been non-functional for nearly two months, since March 30. The alarms points were malfunctioning, causing false alarms, and the management decided to disable them to alleviate their frustration. Spare parts to make repairs had been ordered, but had not arrived yet.
     On the night of May 20, all of the exterior CCTV cameras were focused towards the roof of the building, leaving the guards blind to street level activity. At about 4:00 a.m., the thief sheared a padlock and smashed through a first floor window to gain entry to the Musée d'Art Moderne. Once inside, the masked “burly” thief passed by an array of interior CCTV cameras, which nicely recorded his nonchalant movements as he perpetrated the crime. The thief spent about 15 minutes removing the five canvases from their frames, and he placed them all together in a large single bundle before exiting from the same window. French investigators theorize that the guards were sleeping, or otherwise distracted, in order to have missed the entire crime playing out on their monitors. The Brigade de Répression du Banditisme believes that the thief acted alone.
     In 2011, a suspect told police that he had thrown the five paintings in the garbage and that they were destroyed by a trash compactor. However, this claim is unsubstantiated.

     The five masterpieces are unsellable and have not been recovered.


Police investigate the 2010 Paris Museum of Modern Art Heist

The 5 works stolen from the Museum of Modern Art in Paris


Wednesday, October 29, 2014

Stolen Cavalier: A Guercino Masterpiece- Stolen on August 10, 2014

Stolen Cavalier: Guencino Theft- August, 2014. by Travis Simpkins


Read the full post on Stolen Cavalier HERE:

Tuesday, October 28, 2014

The Thomas Crown Affair (1999): Pierce Brosnan is the Prototypical Sophisticated Art Thief


     Directed by John McTiernan, The Thomas Crown Affair (1999) was billed as a remake of the 1968 film, but the two films are not overtly similar. A solid heist film, though not very realistic, the production gained critical praise as well as a hefty box office return. The story concerns a wealthy financier who steals a Monet painting worth $100 million from the Metropolitan Museum of Art in New York City, and the cat and mouse games he plays with the sexy insurance investigator sent to catch him. Pierce Brosnan is excellent and sophisticated in the title role. Rene Russo is lovely in her part, delivering a fine performance. Faye Dunaway, who co-starred in the original 1968 film, makes a cameo appearance. The rest of the cast does a fine job as well, including Denis Leary, Esther Canadas and Ben Gazarra.



Pierce Brosnan: The Thomas Crown Affair

Pierce Brosnan and Monet: The Thomas Crown Affair

Rene Russo: The Thomas Crown Affair

Rene Russo: The Thomas Crown Affair

Rene Russo: The Thomas Crown Affair

Esther Canadas: The Thomas Crown Affair

Pierce Brosnan: The Thomas Crown Affair


"The Thomas Crown Affair"- movie trailer

Sunday, October 26, 2014

Research: Worcester Art Museum "Then and Now" by Travis Simpkins. Update #18

     -The first photo, from 1933, shows the 12th Century French Chapter House shortly after it was deconstructed, transported and reassembled in the newly-built Renaissance Court Building of the Worcester Art Museum. Purchased in 1927, the room was the major catalyst for the construction the major new addition. As this photo shows, some artwork was originally hung inside the Chapter House, including the 13th Century Italian crucifix that now hangs in Gallery 212. The Chapter House was the star attraction of the new Museum addition which, in 1933 alone, drew over 200,000 visitors eager to see the first transposed Medieval structure in America. Today, the 900-year-old architecture remains the same, but the furniture is much more contemporary... with a constellation of chairs designed by Yvonne Fehling and Jennie Peiz now occupying the space.
     -The second "Then and Now" composition shows Salisbury Hall both pre and post "Knights!". Neo-classical sculpture and portraits of local benefactors were replaced with creative video projections and a mounted rider on a strawberry-pink horse, clad in 16th century armor from the John Woodman Higgins collection.

     -The sketch depicts the 15th Century Italian limestone "Madonna and Child" that resides on the Renaissance Court balcony.

     -The Knights! Construction sequence (part 3 of 5) shows yet another perspective of the Gallery's transformation, documented over a period of nearly four months (15 weeks). The center photos show the horse before and after it was painted.

Chapter House. Worcester Art Museum. by Travis Simpkins

Salisbury Hall. Worcester Art Museum. by Travis Simpkins

Madonna and Child. Worcester Art Museum. by Travis Simpkins

Knights! Construction. Worcester Art Museum. by Travis Simpkins

Saturday, October 25, 2014

Entrapment (1999): Catherine Zeta-Jones and Sean Connery as Art Thieves


     Directed by Jon Amiel, Entrapment (1999) is a solid caper film that has grown in Cult status over the past 15 years. The story concerns two thieves who play both sides in a both a major art heist and a sophisticated plan to rob a Malaysian bank during the millennium celebration. Sean Connery is masterful in his role. However, Catherine Zeta-Jones steals the show in a now-famous scene in which the camera follows her as she maneuvers through a laser set-up.



Catherine Zeta-Jones: Entrapment

Sean Connery rolls a stolen Rembrandt: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones and Sean Connery: Entrapment


Catherine Zeta-Jones: Entrapment


"Entrapment"- movie trailer

Friday, October 24, 2014

Research: Worcester Art Museum "Then and Now" by Travis Simpkins. Update #17

     -I estimate that the first photo, from about 1940, was taken in late March or early April. Situated at the intersection of Salisbury and Tuckerman Streets, a circular driveway sweeps the Museum façade and once-reliable trolley tracks are visible in the foreground. The newly-constructed fourth floor can be seen at rear, looming above both the original 1897 edifice as well as the 1933 Renaissance Court building. In the same spot today, it is apparent that some of the curb real estate in front of WAM was lost to the widening of Salisbury Street. It is also clear how thoroughly the 1983 Hiatt Wing now envelopes that side of the building, obscuring all of the early elements as well as hiding the fourth floor addition from view.
     -The first photo in the second composition shows my favorite installation in the Contemporary "Wall at WAM" series: Alexander Ross' "Untitled" (2007). The current installation in the cycle is "These Days of Maiuma" (2013) by Robert and Shana ParkeHarrison.

     -The sketch depicts the ancient bronze portrait of one of the daughters of Marcus Aurelius, on display in the Roman Gallery.

     -The last photo shows a small box built into one of the columns outside the Library in Salisbury Hall. For the past seven years, I have been tasked with the responsibility of providing security training for all newly-hired Control Room guards. When we reach the Library area during instruction, and the box element is spotted, most novitiates have invariably asked, "What was that used for?" I'm reasonably sure that it's an old capped off light switch. When the museum was first constructed in 1897, the building was equipped with both gas and electric fixtures. This button likely controlled the lighting in the second floor main hall during those first decades.

Salisbury/Tuckerman Streets. Worcester Art Museum. by Travis Simpkins

Wall at WAM. Worcester Art Museum. by Travis Simpkins

Portrait of a Roman Lady. Worcester Art Museum. by Travis Simpkins

early 1900's light switch, Worcester Art Museum

Thursday, October 23, 2014

"The History of Loot and Stolen Art from Antiquity Until the Present Day" by Ivan Lindsay (2014 Edition)

The History of Loot and Stolen Art. by Ivan Lindsay

"History of Loot and Stolen Art 
from Antiquity Until the Present Day" 
by Ivan Lindsay. 
Unicorn Press, 2014

Brief Review by Travis Simpkins

     Even before fully delving into Ivan Lindsay's ambitious tome on the History of Loot and Stolen Art, it is apparent that the book aspires to be a definitive text on the subject. Containing more than 200 images (most in vibrant color), the 400+ pages spring forward with visual interest, interspersed with a clearly written narrative that follows the age-old act of looting throughout human history and civilization.
     The covered material is presented in a well-versed manner and was surely a labor of love for Mr. Lindsay (who is also an art dealer), as the depth of information must've required years of careful research. The main focus of the book is looting, works of art taken as spoils of war, and illustrates how this is an ongoing and troublesome process. Starting with the Ancient Assyrians, nearly 30 centuries of looting profiles continue in chronological order with Alexander the Great, the Vikings, the Crusades, Cesare Borgia, Henry VIII, Spanish conquest in the Americas, Queen Christina, Charles I, Napoleon, Lord Elgin, Adolf Hitler and the Nazis, Joseph Stalin and up to modern day Iraq.
     It is an all-encompassing, compelling and intriguing text. In addition, great care and thought is given to the concept of restitution as it relates to each period in history. Some coverage is given to modern-day "Museum Heists" and everyday theft, but this subject is mainly referenced as a subtext to Cultural Heritage Crimes.
     Well-written, thought provoking and carefully researched, Ivan Lindsay's "History of Loot and Stolen Art" is an essential addition to the bookshelf of any Art Theft scholar, or anyone with a general appreciation for Art History.


Purchase "The History of Loot and Stolen Art" Here:


For more information, please visit:

Read an interview with the author here:


Alexander the Great

Cesare Borgia

Adolf Hitler

Rembrandt. Storm on the Sea of Galilee. Gardner Museum