Sunday, October 5, 2014

"Caveat Emptor: The Secret Life of an American Art Forger" by Ken Perenyi (2012)

"Caveat Emptor" by Ken Perenyi

"Caveat Emptor" by Ken Perenyi
Brief Review by Travis Simpkins

     Before picking up a copy of Caveat Emptor by Ken Perenyi, it would greatly benefit readers to view several of the interviews with Mr. Perenyi on YouTube. He comes across much better in video than he does in written word. A talented artist, copyist and conservator, Ken Perenyi made a long career out of deception and introduced hundreds of fake paintings into the marketplace, an act for which he offers no remorse. He created fake works by Buttersworth, Heade and many others that are still circulating. In the book, Caveat Emptor (which was likely ghost-written), readers are presented with 300 pages of boasting and deliberate lies. Perenyi doesn't come across as a likable person in those pages. However, when viewing the videos it is not only apparent exactly how greatly talented Ken Perenyi is artistically, but also how (in his own mind) he feels that he did nothing wrong. 

"Caveat Emptor" by Ken Perenyi

Ken Perenyi News feature (video)


"Caveat Emptor" by Ken Perenyi

"Caveat Emptor" by Ken Perenyi


Ken Perenyi interview (video)


"Caveat Emptor" by Ken Perenyi


"It is said that the greatest art forger in the world is the one who has never been caught—the astonishing story of America’s most accomplished art forger.

     Ten years ago, an FBI investigation in conjunction with the U.S. Attorney’s Office in the Southern District of New York was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, renowned experts, and the major auction houses, the investigation inexplicably ended, despite an abundance of evidence collected. The case was closed and the FBI file was marked “exempt from public disclosure.”
     Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this book, Caveat Emptor, is Ken Perenyi’s confession. It is the story, in detail, of how he pulled it all off.
     Glamorous stories of art-world scandal have always captured the public imagination. However, not since Clifford Irving’s 1969 bestselling Fake has there been a story at all like this one. Caveat Emptoris unique in that it is the first and only book by and about America’s first and only great art forger. And unlike other forgers, Perenyi produced no paper trail, no fake provenance whatsoever; he let the paintings speak for themselves. And that they did, routinely mesmerizing the experts in mere seconds.
In the tradition of Frank Abagnale’s Catch Me If You Can, and certain to be a bombshell for the major international auction houses and galleries, here is the story of America’s greatest art forger.
" -amazon.com


"Caveat Emptor" by Ken Perenyi

"Caveat Emptor" by Ken Perenyi

"Caveat Emptor" by Ken Perenyi

"Caveat Emptor" by Ken Perenyi

"Caveat Emptor" by Ken Perenyi

Saturday, October 4, 2014

Anthony Amore and Rembrandt's Storm on the Sea of Galilee

Anthony Amore, by Travis Simpkins. The Storm on the Sea of Galilee, by Rembrandt

Anthony Amore
Chief Investigator and Director of Security 
at the Isabella Stewart Gardner Museum. 
by Travis Simpkins. 
and 
The Storm on the Sea of Galilee
by Rembrandt. 
Stolen on March 18, 1990


To report information on the Gardner Museum theft, 
contact Anthony Amore by email at:




Friday, October 3, 2014

Research: Worcester Art Museum "Then and Now" by Travis Simpkins. Update #11

     -The first photo, taken 37 years ago, shows a corner of the smallest third floor gallery at the Worcester Art Museum during one of many Contemporary Art exhibitions. Louise Nevelson's "Black Garden Wall III", created only 6 years prior, is stoically displayed against the wall at right. Today, as the Jeppson Idea Lab, the space has a more theatrical lighting scheme, but is once again used as a forum to present new concepts.
     -The second grouping contrasts the two most recent exhibitions in the first floor PDP Gallery. Prior to these two shows, the space had not really seen much use of dramatic and bold wall color. Even today, several months after the "Proof to Print" exhibition opened, regular visitors can still occasionally be overheard debating which color they like better... the red or the blue. I thought I'd make a side-by-side shot for easy comparison.

     -The "Animated Venus" sketch is a collaboration between myself and Janet Tremblay. I made 8 different sketches from various angles, 360 degrees, around the 1st - 2nd Century A.D. statue of "Venus" in the Roman Gallery. Janet strung the images together into an animated file. We had done a similar thing last year with an "Animated Caligula", also sketched in the Roman Gallery, and it was well-received. The last photo is of the 8 drawings in a row, for those curious about which individual views were used.

Jeppson Gallery. Worcester Art Museum. by Travis Simpkins

PDP Gallery. Worcester Art Museum. by Travis Simpkins

Animated Venus. Worcester Art Museum. by Travis Simpkins

Animated Venus. Worcester Art Museum. by Travis Simpkins