Entrapment (1999): Catherine Zeta-Jones and Sean Connery as Art Thieves

     Directed by Jon Amiel, Entrapment (1999) is a solid caper film that has grown in Cult status over the past 15 years. The story concerns two thieves who play both sides in a both a major art heist and a sophisticated plan to rob a Malaysian bank during the millennium celebration. Sean Connery is masterful in his role. However, Catherine Zeta-Jones steals the show in a now-famous scene in which the camera follows her as she maneuvers through a laser set-up.

Catherine Zeta-Jones: Entrapment

Sean Connery rolls a stolen Rembrandt: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones: Entrapment

Catherine Zeta-Jones and Sean Connery: Entrapment

Catherine Zeta-Jones: Entrapment

"Entrapment"- movie trailer

Research: Worcester Art Museum "Then and Now" by Travis Simpkins. Update #17

     -I estimate that the first photo, from about 1940, was taken in late March or early April. Situated at the intersection of Salisbury and Tuckerman Streets, a circular driveway sweeps the Museum façade and once-reliable trolley tracks are visible in the foreground. The newly-constructed fourth floor can be seen at rear, looming above both the original 1897 edifice as well as the 1933 Renaissance Court building. In the same spot today, it is apparent that some of the curb real estate in front of WAM was lost to the widening of Salisbury Street. It is also clear how thoroughly the 1983 Hiatt Wing now envelopes that side of the building, obscuring all of the early elements as well as hiding the fourth floor addition from view.
     -The first photo in the second composition shows my favorite installation in the Contemporary "Wall at WAM" series: Alexander Ross' "Untitled" (2007). The current installation in the cycle is "These Days of Maiuma" (2013) by Robert and Shana ParkeHarrison.

     -The sketch depicts the ancient bronze portrait of one of the daughters of Marcus Aurelius, on display in the Roman Gallery.

     -The last photo shows a small box built into one of the columns outside the Library in Salisbury Hall. For the past seven years, I have been tasked with the responsibility of providing security training for all newly-hired Control Room guards. When we reach the Library area during instruction, and the box element is spotted, most novitiates have invariably asked, "What was that used for?" I'm reasonably sure that it's an old capped off light switch. When the museum was first constructed in 1897, the building was equipped with both gas and electric fixtures. This button likely controlled the lighting in the second floor main hall during those first decades.

Salisbury/Tuckerman Streets. Worcester Art Museum. by Travis Simpkins

Wall at WAM. Worcester Art Museum. by Travis Simpkins

Portrait of a Roman Lady. Worcester Art Museum. by Travis Simpkins

early 1900's light switch, Worcester Art Museum

"The History of Loot and Stolen Art from Antiquity Until the Present Day" by Ivan Lindsay (2014 Edition)

The History of Loot and Stolen Art. by Ivan Lindsay

"History of Loot and Stolen Art 
from Antiquity Until the Present Day" 

by Ivan Lindsay. 
Unicorn Press, 2014

Brief Review by Travis Simpkins

     Even before fully delving into Ivan Lindsay's ambitious tome on the History of Loot and Stolen Art, it is apparent that the book aspires to be a definitive text on the subject. Containing more than 200 images (most in vibrant color), the 400+ pages spring forward with visual interest, interspersed with a clearly written narrative that follows the age-old act of looting throughout human history and civilization.
     The covered material is presented in a well-versed manner and was surely a labor of love for Mr. Lindsay (who is also an art dealer), as the depth of information must've required years of careful research. The main focus of the book is looting, works of art taken as spoils of war, and illustrates how this is an ongoing and troublesome process. Starting with the Ancient Assyrians, nearly 30 centuries of looting profiles continue in chronological order with Alexander the Great, the Vikings, the Crusades, Cesare Borgia, Henry VIII, Spanish conquest in the Americas, Queen Christina, Charles I, Napoleon, Lord Elgin, Adolf Hitler and the Nazis, Joseph Stalin and up to modern day Iraq.
     It is an all-encompassing, compelling and intriguing text. In addition, great care and thought is given to the concept of restitution as it relates to each period in history. Some coverage is given to modern-day "Museum Heists" and everyday theft, but this subject is mainly referenced as a subtext to Cultural Heritage Crimes.
     Well-written, thought provoking and carefully researched, Ivan Lindsay's "History of Loot and Stolen Art" is an essential addition to the bookshelf of any Art Theft scholar, or anyone with a general appreciation for Art History.

Purchase "The History of Loot and Stolen Art" Here:

For more information, please visit:

www.unicornpress.org

Read an interview with the author here:

Interview with Ivan Lindsay

Alexander the Great

Cesare Borgia

Adolf Hitler

Rembrandt. Storm on the Sea of Galilee. Gardner Museum