Saturday, November 15, 2014

Indiana Jones and the Temple of Doom (1984): The Sankara Stones, Archaeology and Ritual Sacrifice


     Directed by Steven Spielberg, based on a story by George Lucas, Indiana Jones and the Temple of Doom (1984) was written as a prequel to Raiders of the Lost Ark because they did not want to cast the Nazis as the villains again. Set in 1935, the story finds Indiana Jones, famed archaeologist, venturing through India in search of one of the stolen Sakara stones (fabled to give fortune and glory) and encountering horrific rituals of human sacrifice. Harrison Ford is great as Indiana Jones, reprising his role. Kate Capshaw is annoying, but intentionally so, as his love interest. Jonathan Ke Quan appears as Indy's young sidekick, Short Round.

Kate Capshaw: Indiana Jones and the Temple of Doom

: Indiana Jones and the Temple of Doom

Harrison Ford: Indiana Jones and the Temple of Doom

: Indiana Jones and the Temple of Doom

Harrison Ford and Short Round: Indiana Jones and the Temple of Doom

Short Round, Kate Capshaw and Snake Dinner: Indiana Jones and the Temple of Doom

Ritual: Indiana Jones and the Temple of Doom

Ritual: Indiana Jones and the Temple of Doom

Ritual: Indiana Jones and the Temple of Doom

Harrison Ford and the Sankara Stones: Indiana Jones and the Temple of Doom

Harrison Ford: Indiana Jones and the Temple of Doom

Harrison Ford and the Sankara Stones: Indiana Jones and the Temple of Doom

Harrison Ford and the Sankara Stones: Indiana Jones and the Temple of Doom

Kate Capshaw and Harrison Ford: Indiana Jones and the Temple of Doom

Harrison Ford: Indiana Jones and the Temple of Doom

"Indiana Jones and the Temple of Doom"- movie trailer

Friday, November 14, 2014

Worcester Magazine Interview: Two Minutes with… Travis Simpkins

Worcester Magazine: Two Minutes with… Travis Simpkins


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Worcester Magazine: 2 Minutes With… Travis Simpkins

Thursday, November 13, 2014

Research: Worcester Art Museum "Then and Now" by Travis Simpkins. Update #22

     -The first photo, from about 1900, was taken just a few years after the Worcester Art Museum first opened it's doors. Note the light fixtures, which appear to be rigged in hybrid fashion: gaslights on top, electric bulbs underneath. This same room today, now the lower level of the Museum Library, has a much more utilitarian office aesthetic. It is far from reminiscent of the old view, but the overall dimensions and the placement of certain doors and window openings remains the same.
     -The second "Then and Now" composition contrasts European Gallery 207 before and after the most recent renovation of the space. "The Shipwreck" maintains the same position on the far wall of the adjoining gallery in both views, and in the 2014 photo, Houdon's elegant marble bust of his daughter is seen in situ.

     -The sketch depicts the aforementioned 1791 marble bust of young "Claudine Houdon", sculpted by her father, Jean-Antoine Houdon.

     -In the 1900 photo below, a sturdy table and chairs used by the Museum trustees can be seen at center. Today, over 100 years later, the same table and chairs are still in use one floor above in the Library reading area. Until recently, the table had long been placed in the European galleries (with a different set of spindle-back chairs). These original chairs were reupholstered a few years ago, and the set was reunited.

Lower Library. Worcester Art Museum. by Travis Simpkins

European Galleries. Worcester Art Museum. by Travis Simpkins

Claudine Houdon. Worcester Art Museum. by Travis Simpkins

Trustee's Table. Worcester Art Museum